(Article printed in Women' s Calendar -
March 2005)
Women Who Inspire -
Part Two
Throughout history, men and women artists and authors used
pseudonyms to obscure their real identity.
Women authors, in particular, found that pen names would
permit them inroads into the literary community.
For example, the Brontë sisters, felt they would either not
be published at all, or not taken seriously as women authors
unless they used a nom de plume.
Muses at work...incognito. Here are
just a few:
Oh
Danny boy!...(girl?):
Daniel was actually Marie Marie d'Agoult
(1805 -1876), otherwise known as Marie-Catherine-Sophie de Flavigny or
Comtesse d'Agoult.Writing under the
pen name Daniel Stern, Marie d'Agoult
was a frequent contributor to the French liberal opposition press of the
1840s. Her three volume Histoire de la Révolution de 1848 remains her
best-known work.
The Brontë Code...
Charlotte Brontë's
(1816-1854) and her sisters had a wrote a notice.
"Acton Bell" was the pen name of Anne
Brontë and "Ellis Bell" was
Emily Brontë. Charlotte herself wrote as
"Currer Bell" and so signed herself to
the "notice". Charlotte explained why they chose these names: "... Averse to
personal publicity, we veiled our own names under those of Currer, Ellis,
and Acton Bell; the ambiguous choice being dictated by a sort of
conscientious scruple at assuming Christian names positively masculine,
while we did not like to declare ourselves women, because—without at that
time suspecting that our mode of writing and thinking was not what is called
"feminine"—we had a vague impression that authoresses are liable to be
looked on with prejudice; we had noticed how critics sometimes use for their
chastisement the weapon of personality, and for their reward, a flattery,
which is not true praise."
Georgie was one really hot...
So it seems as Amandine-Aurore-Lucile Dupin
(1804-1876), French Romantic writer, was noted for her numerous love affairs
with such prominent figures as Prosper Merimée, Alfred de Musset, Frédéric
Chopin, Alexandre Manceau and others. The painter Eugène Delacroix did not
take her very seriously, but Alexander Herzen and Francois-Rene de
Chateaubriand were inspired of her work. Widespread critical attention
accompanied the publication of most of George
Sand's novels from INDIANA (1832), a story of a naive,
love-starved woman abused by her much older husband and deceived by a
selfish seducer. Sand's works influenced among others Fedor Dostoevsky, Lev
Tolstoi, Gustave Flaubert, and Marcel Proust. In 1842, the English critic
George Henry Lewes wrote that Sand was ''the most remarkable writer of the
present century.''
Aah Haa!...another George!
Mary Ann or Marian Evans, 1819–80, English
novelist, one of the great English novelists, she was reared in a strict
atmosphere of evangelical Protestantism but eventually rebelled and
renounced organized religion totally. Writing about life in small rural
towns, George Eliot was primarily
concerned with the responsibility that people assume for their lives and
with the moral choices they must inevitably make. Although highly serious,
her novels are marked by compassion and a subtle humor.
Little "Mistaken Identity"...
Louisa May Alcott
(1832-1888), author of Little Women and "pot-boiler" writer under the
name of A.M. Barnard. Books include "The
Abbot's Ghost," "The Marble Woman", and "Behind a Mask". Why Louisa used the
pen name of A.M. Barnard is still a mystery, but one explanation is that the
initials A.M. may have come from her mother's name, Abigail May, and the
Barnard may have come from a friend of the family and a famous educator,
Henry Barnard.
One very interesting basket of names...
Metta Victoria
Full Victor (1831-1885) Pen Names: Corinne Cushman, Eleanor Lee
Edwards, Metta Fuller, Walter T. Gray, Mrs. Orrin James, Rose Kennedy, Louis
LeGrand, Mrs. Mark Peabody, Seeley Register, The Singing Sybil, Mrs. Henry
Thomas.
One of her most important contributions to
American literature was The Dead Letter, published in 1864 under the pen
name Seeley Register, and credited as
the first detective novel. Her later years were devoted to humor and
sensational romances. Her first novel for Beadle & Adams in 1861 was Maum
Guinea, an anti-slavery novel enjoyed by both Abraham Lincoln and Henry Ward
Beecher, which was perhaps as popular at the time as its more famous
counterpart, Uncle Tom's Cabin.
Not sure about the pen name...start with "John"
Pearl Richards
(Mary Teresa Craigie) was born on November 3, 1867 in Boston
Massachusetts but was raised in England. In February 1887 she married Mr.
Reginald Walpole Craigie a well-connected Englishman. Mrs. Craigie divorced
her husband soon after the birth of their only son. In 1892 she converted to
Roman Catholicism and added Mary Teresa to her name.
Her first literary work had been published in 1891 under the pseudonym
John Oliver Hobbes. Her best-known works
were The School for Saints and its sequel Robert Orange. Mrs. Craigie loved
the theater and wrote plays as well as novels. She died on August 13, 1906
at the height of her fame.
Coffee anyone?
Baroness Karen
Blixen, 1885–1962, Danish author, and
Isak Dinesen were one and the same. In 1914 she married Baron
Blixen and went to live in British East Africa, on a coffee plantation. She
was divorced in 1921 and took over the management of the plantation where
she lived until 1931, when falling coffee prices forced her to return to
Denmark. From her experiences she wrote her autobiographical Out of Africa
(1937), which became a successful film. Dinesen is best known for her tales,
many of which have eerie, supernatural elements. Her works include Seven
Gothic Tales (1934), Winter's Tales (1943), Last Tales (1957), and Anecdotes
of Destiny (1958). Writing despite severe illness, Dinesen finished the
African sketches Shadows on the Grass in 1960.
Meet an Aussie author...
Henry Handel
Richardson, is none other than Ethel
Richardson Robertson, 1870–1946, Australian novelist. Her years
of study at the Presbyterian Ladies' College, Melbourne, were reflected in
her book The Getting of Wisdom (1910). After studying piano at Leipzig she
turned to writing, living mainly in Germany until 1903 and then in England.
Her first novel, Maurice Guest (1908), is the story of a music student's
disastrous infatuation. The trilogy The Fortunes of Richard Mahony (1930),
which presents an accurate and outstanding picture of Australian life, is
considered her major work. Her writing, clear and austere in style, has been
characterized as combining romantic insights with scientific attention to
detail.
Who was the Crook?
Anthony Gilbert
was Lucy Beatrice Malleson (1899-1973),a
prolific British mystery writer, a woman writing under a man's name, whose
most famous creation is lawyer-detective Arthur G. Crook. For many years
Gilbert's identity was kept secret, and most readers assumed that the author
was a man. Distinctive for Gilbert's novels is skillful plotting, lively
supporting characters, entertaining dialogue, and clever action without
exaggerating violence. She wrote straight fiction - mostly with a Victorian
flavor - under the pseudonym of Anne Meredith.
Oops...James was a gal
James Tiptree, Jr
(1915 – 1987) was the pen name of science fiction author
Alice Sheldon. She later also wrote under
the pseudonym Raccoona Sheldon. Tiptree/Sheldon was most notable for
breaking down the barriers between perceived "male writing" and "female
writing." Unsure what to do with her new degrees and her new/old
careers, Sheldon began to write. She adopted the pseudonym of James Tiptree,
Jr. in 1968 because "I was tired of always being the first woman in some
damn profession..." The name "Tiptree" came from a jar of marmalade.
The imposture was successful until the late 1970s, possibly aided by a
misunderstanding that it was intended to protect the professional reputation
of an intelligence community official. It was not publicly known until 1976
that she was a woman.
When all was revealed, several prominent
science fiction writers suffered some embarrassment. Robert Silverberg had
written an introduction to Warm Worlds and Otherwise, arguing on the basis
of selections from stories in the collection that Tiptree could not possibly
be a woman. Ursula K. Le Guin had prevented Tiptree from adding "his"
signature to a petition by female science fiction authors, believing Tiptree
to be a man. Both acted understandably under the circumstances, and both
felt compelled to defend their positions later in print. And in an
introduction to a story in one of the Dangerous Visions anthology series,
Harlan Ellison stated that "[Kate] Wilhelm is the woman to beat this year,
but Tiptree is the man."
Sadly, Sheldon took the life of her 86 year-old blind and bedridden invalid
husband, and then took her own. The James Tiptree, Jr. Award is given in her
honor each year for a work of science fiction or fantasy that expands or
explores our understanding of gender.
Child of the Shore...
Aisha Abdul-Rahman (1913 - 1998) was
Egypt's leading female Islamic writer and scholar.
Her first published article, in a local
paper in 1935, dealt with the social disadvantages of Egyptian peasants, and
outraged her family. But her grandfather encouraged her to publish two other
pieces in the Al-Nahda al-Nesa’eiyah ("Female Renaissance" magazine) under
the pen-name Bint-Shat’e "child of the
Shore" her birthplace was the shore of Dammietta where the eastern
branch of the Nile opens to the Mediterranean.
Thanks for being readers!
Credits: Women's Calendar Team for
digging up the stories.
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